calandrahunter | Reading

Joan Aiken finished the last two books in the Wolves of Willoughby Chase sequence just before her death in 2004. The penultimate book, Midwinter Nightingale, has certain flaws that indicate a rushed or weary author, but before I discuss these flaws I do want to state that I’m very glad Aiken did write these books, as it seems right and proper that the series should come full circle with Dido and Simon at the end.

The main flaw in Midwinter Nightingale was the pacing, which is usually Aiken’s strong suit: in most of her book she packs so many happenings into a chapter that

littlerhymes and I struggled to discuss all the developments. But here, the characters spend the first half of the book wandering more or less aimlessly before the plot really kicks off.

Also, this is petty but I just have to complain, Aiken offers three separate and incompatible lengths for the time that has elapsed since King Dick’s coronation. It happened 15 years ago, as it coincided with his marriage to his (second) wife Princess Adelaide. (As it turns out, Prince Davie who died in the mines was the son of King Dick’s hitherto unmentioned first wife, which means Davie was a teenager when he went to investigate the mines, which is better than going off to investigate at the age of about five as I first thought.)

But it also happened six years ago, because that’s when Dido said she first got back to England, and as we know Dido saved the ceremony which otherwise would have been interrupted by St. Paul’s Cathedral rolling into the Thames. But then Dido mentions her adventures on the island of Aratu, which happened before her return to England, as occurring “two or three years ago.” WHICH IS IT, AIKEN? Please just stop giving us numbers.

However, it is lovely to be back with Dido again. Is is fine but she’s just not the same. I enjoyed the reappearance of Aiken’s trademark ferocious creatures in the form of a moat filled with man-eating fish and crocodiles (although I’m still so sad they killed spoiler redacted and spoiler redacted!), and also the unexpected plot point of two completely non-ferocious bears. They just want Simon to give them head massages to help them cope with the wet cold of England! Who among us has not dreamed of a bear friend?

The next (and last) book is very short, and was in fact published posthumously. I envision Aiken writing it on a legal pad in her hospital bed, and will not hold it against her if it occasionally devolves from prose into a list of bullet points.

osprey_archer

I’ve never owned my own TV before, but one of my friends had an extra which became mine when I moved into the Hummingbird Cottage. A Target gift card had just come into my possession as a housewarming gift, so I traipsed off to Target for a DVD player.

“I didn’t know we sold those anymore,” the bemused clerk informed me. (Target does, however, have a large record selection. Also WiFi enabled record players. What a time to be alive.)

Undeterred, I made my purchase, and drove home happily dreaming of all the new movies and shows I would watch.

I did in fact manage to watch a couple of new movies: Studio Ghibli’s The Red Turtle, a wordless movie about a man marooned on an island who ends up marrying a turtle who turns into a woman (as turtles are wont to do), and Werner Herzog’s Happy People: A Year in the Taiga, which is a fascinating documentary about trappers in the taiga, although it does keep saying things like “These trappers are almost untouched by modern civilization” as the trappers zoom off in their snow mobiles. I mean. Maybe a little touched by modern civilization?

However, what I’ve mostly been doing is rewatching old favorites. I rewatched the Romola Garai Emma and the pre-Raphaelite miniseries Desperate Romantics (both of which I own), and contemplated borrowing the 2006 Jane Eyre and 2008 Sense and Sensibility miniseries from the library before deciding that no, it was better to wait till I could find them used somewhere, and therefore enjoy the thrill of the hunt.

(I have not yet found either of those miniseries, but on my last visit to Half Price Books I DID find a copy of the 1981 Brideshead Revisited miniseries for a mere $10!!! which was instantly stolen by a friend who hasn’t seen it yet. Which is fair enough I guess.)

I did get the first two seasons of The Vicar of Dibley from the library, and have now started in on their Poirot collection, and was disconcerted to discover that with Poirot in particular I have barely any memory of the show. Things like the bit where Miss Lemon says “Poirot looked middle-aged even as a baby,” yes. The solutions to the mysteries? No. Gone. Might as well have never watched the show. Which is convenient for a rewatch, admittedly.

As much as I’m enjoying my rewatches, however (season one of Downton Abbey next?), I would like to stir a few new-to-me things into the mix as well.

1. I’ve started the 1981 sitcom A Fine Romance, because (a) it stars Judi Dench, and (b) the episodes are half an hour long. (I’m a sucker for shows with half hour episodes.) It’s cute, but I’m not totally sold yet. Will give it a few more episodes and see how I feel.

2. On the topic of half hour shows (actually 22-minute shows), I’ve heard Abbott Elementary is fantastic. Yes? No? Maybe so?

3. Given my love of Poirot, I was looking thoughtfully at the Miss Marple adaptations. But alas they’re all two hours long, and I turn into a pumpkin at about 60 minutes.

4. Has anyone seen Flambards? Would you recommend it? I’m considering it because it’s on the shelf at the library and I have a vague memory of someone, somewhere, gushing about it, except maybe they were gushing about the book that it’s based on and not the show.

5. I attempted to watch a Vanity Fair miniseries, by which I mean that I got a copy out of the library and then never even put it in the DVD player because the thought of watching Becky Sharp be mean to people while smiling sweetly was too stressful. Strongly suspect I would feel the same way about the classic 1979 Tinker Tailor Soldier Spy miniseries, which is unfortunate as it would be the perfect capper for my George Smiley readings.

6. However, as a general rule, I do enjoy book to miniseries adaptations, especially if they’re period pieces and the episodes are less than an hour long. So please let me know if you have recs!

sholio

The recent "only one bed" meme (which I still haven't finished, as per usual) led to only-one-bed thoughts and this missing scene for B5 5x16.

One Safe Harbor (also on Ao3 - G'Kar/Londo, 2300 words, explicit)
Missing scene on the flight from Babylon 5 to Centauri Prime in 5x16. Two people in a very small sleeping space. Also, some feelings are had.

( One Safe Harbor - 2300 wds )

sholio

I watched the first 15 minutes of "In the Beginning" back in May, and finally watched the rest last night. I enjoyed it, despite not being that interested in the 10-years-earlier part of the timeline (or the Minbari, for the most part). Annoyingly, the audio/video was a little out of sync for most of it, and I'm not sure why.

( Spoilers for a 25-year-old TV movie )

rachelmanija

This sequel to one of my favorite books of last year, a young adult post-apocalypse novel with a lovely slow-burn gay romance, fell victim to a trope I basically never like: the sequel to a romance that starts out by breaking up the main couple or pitting them against each other. It may be realistic but I hate it. If the main thing I liked about the first book was the main couple's dynamic - and if I'm reading the sequel, that's definitely the case - then I'm never going to like a sequel where their dynamic is missing or turns negative. I'm not saying they can't have conflict, but they shouldn't have so much conflict that there's nothing left of the relationship I loved in the first place.

This book starts out with Jamison and Andrew semi-broken up and not speaking to each other or walking on eggshells around each other, because Andrew wants to stay in the nice post-apocalyptic community they found and Jamison wants to return to their cabin and live alone there with Andrew. Every character around them remarks on this and how they need to just talk to each other. Eventually they talk to each other, but it resolves nothing and they go on being weird about each other and mourning the loss of their old relationship. ME TOO.

Then half the community's children die in a hurricane, and it's STILL all about them awkwardly not talking to each other and being depressed. I checked Goodreads, saw that they don't make up till the end, and gave up.

The first book is still great! It didn't need a sequel, though I would have enjoyed their further adventures if it had continued the relationship I loved in the first book. I did not sign up for random dead kids and interminable random sulking.

osprey_archer

I went into John Le Carre’s A Legacy of Spies with a certain trepidation, as the book is a late-career novel that retreads the events of Le Carre’s first break-out hit, The Spy Who Came in from the Cold. Years after the events in the earlier book, Smiley’s right-hand man Peter Guillam finds himself the focus of a legal investigation into what exactly went down during that mission.

Frankly, the premise struck me as a tired rehash of an earlier success. But this is not a fair assessment of A Legacy of Spies, in which Le Carre cheerfully twists a few knives that he had hitherto left untwisted in the general Smiley saga. As such, this review will feature ( spoilers for all the Smiley books )

Despite my doubts, a perfect end to the series, really. Brings the story full circle, updates us on all the most interesting characters, continues the exploration of Le Carre’s favorite themes. Were we the bad guys? - by “we” meaning not England, or Europe, or the West, but the international brotherhood of spies.

sholio

This was written for one of last year's prompt fests - Whumptober, I think - and never posted. At the time, I was really struggling to get words out, feeing pretty insecure about the words I did write, and I could tell this needed editing and didn't feel up to dealing with it. Also, it was too long to just post as a snippet of fic like most of the others. I sat on it for a while with the idea that it might be possible to clean it up and use it in an exchange, but it didn't fit anything I was writing for, and I finally got around to editing and posting it.

Old Words (1978 words) by Sholio
Chapters: 1/1
Fandom: Biggles Series - W. E. Johns
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: James "Biggles" Bigglesworth & Erich Von Stalhein
Characters: Erich von Stalhein, James "Biggles" Bigglesworth
Additional Tags: Post-Canon, Friendship, Developing Relationship, Secret Messages
Summary: Some time after Buries a Hatchet/Looks Back, Biggles and Erich find an old message in an abandoned dead drop.

Also posted under the cut.

( Old Words - 2000 wds )

telophase

I am mulling ideas for a client's cover in my backbrain and poking at my elevator pitch generator, which I updated with some more elements last night.

Okaaaay...:

An uncanny, rollicking novelette, this eldritch horror post-apocalyptic fable is what you'd get if you mashed up The Vampire Diaries with Schindler's List.

This timely media tie-in, a transcendant contemporary fantasy narrative, is the result of mashing up Conan and Mutiny on the Bounty.

This rambunctious trilogy, a rollicking romantasy narrative, is the result of mashing up Murderbot and Titanic.

Recommended for fans of big swords and true love.

Reminiscent of James Patterson and Lord Dunsany, this debut biopunk book is a fast-moving novel.

If Evan Winters mixed Slaughterhouse-Five with a touch of Casablanca, the result would be this numinous tour-de-force.

Fans of Rebecca and Fury Road will resonate with this suspense story that seriously examines loss.

If Murasaki Shikibu wrote The Man in the High Castle, this striking saga is what you'd get.

What would happen if Nicholas Sparks wrote The Expanse?

I would read these:

Full of delicious food, love transcending all, and bears.

Takes readers into a haunting and haunted world of mutants and Faustian bargains.

An extraordinary Murderbot meets Fallout and tackles issues of determinism in this darkly comic novel.

A breathtaking, contemporary novelette, this folktale is what you'd get if Umberto Eco wrote The Planet of the Apes.

I would read the ebook sample of these:

The Maltese Falcon meets Ninefox Gambit in this wonderful neo-classic book. Recommended for readers who want medieval settings and circuses.

A surprising, endearing series, this cozy mystery series successfully mixes YA fantasy and legal thriller with layered characters.

A transcendant paranormal romance, this Stabby Award-winning trilogy is like Friday the 13th, but with extra bears.

osprey_archer

What I’ve Just Finished Reading

I feel that I ought to have something intelligent to say about Virginia Woolf’s To the Lighthouse, but honestly I don’t have a lot to say intelligent or otherwise. Woolf is one of those writers where I respect her skill as a prose stylist, but almost never connect with her work outside of A Room of One’s Own. I thought it might be a fiction/nonfiction thing, where I didn’t vibe with her fiction but liked her nonfiction. But then I read a book of her essays and also wasn’t feeling it, so maybe A Room of One’s Own was just a one-hit wonder for me.

I also finished Alice Alison Lide and Margaret Alison’s Johansen’s Ood-le-Uk the Wanderer, a 1931 Newbery Honor winner written by two sisters. (The Alison sisters are one of three sibling pairs to win Newbery recognition, the others being brother-sister pair Dillwyn and Anne Parrish and brothers James and Christopher Collier.)

Ood-le-Uk is a fifteen-year-old Inuit boy who is swept out to sea on an ice flow, eventually landing in Siberia where he is taken in by the Chukchi and nearly human-sacrificed by the shaman, only to be saved at the last minute by the talisman he wears: a cross in a little wooden box that washed across the sea to his home in Alaska. Does he later meet a Russian Orthodox priest who changes his life by telling him about Christianity? One hundred percent.

What I’m Reading Now

I’ve just started an Alice in Wonderland reread, in the copy given to me by my friend Micky, with a note in the front that assures me that the book is just as “chaotic and confusing” as the story my friend Emma and I wrote in sixth grade. It occurs to me that this may not have been a compliment to our magnum opus.

What I Plan to Read Next

I’m going in with Fanny Burney’s Evelina.

osprey_archer

About a year ago, I realized that some of the older children’s books that I wanted were available in the archive of the university where I work. “If only I knew where the archives were and how to request books there,” I mused, without of course making the faintest effort to acquire this information.

But I have become incrementally better at turning ideas into reality, so it took only a year before I learned where the archives are (the top floor of my favorite library, which incidentally is the library closest to my office) and how to request an appointment to read a book there. Then I traipsed over to the archives for The Little Angel: A Story of Old Rio, illustrated by Katherine Milhous of The Egg Tree, which is the real reason I wanted to read it, although I was also nothing loath to renew the acquaintance with the author, our old friend Alice Dalgliesh of Newbery fame.

The archives are not quite as fancy as the Lilly Library Reading Room: no mural of Great Thinkers in History! But they make up for it with comfy rolling chairs, and the archivists do still bring you your book on a pillow, which is the most important thing.

The book itself is in that particularly mid-twentieth century style where we’re gently drifting through some time in the life of a family long ago and far away. (Sometimes it is just long ago or just faraway, but here it’s both.) We enjoy some street festivals, meet a cute kitten named Gatinho, cheer as the daughter of the house furiously refuses an arranged marriage with a man who just tossed Gatinho across the room (Gatinho is unhurt, except for his dignity), and accept that this is not the kind of book that is ever going to interrogate the fact that this upper-class Brazilian family in the 1820s has slaves. Milhous’s illustrations are charming but not as magical as the illustrations in The Egg Tree or Appolonia’s Valentine.

Nonetheless, pleased by my success, I went back to trawl the library catalog for more books to read in the archives… and discovered they have a copy of one of my remaining Newbery books, Valenti Angelo’s Nino! What a score! So I’ve got an appointment tomorrow at lunch to begin reading.

rachelmanija

A historical children's novel by a Ukrainian-Canadian author, based on Ukrainian teenagers and children forced into slavery during WWII. After watching her neighbors and finally her family getting dragged off by the Nazis, Lida, a Christian Ukrainian girl, is kidnapped along with her younger sister. They're immediately separated and Lida is sent to a horrendous work camp. She's skilled at sewing, which keeps her useful and so alive for a while. But then the Nazis need bombs more than uniforms...

This book is an impressive feat of walking the line between being honest and straightforward about how terrible conditions are while not being too overwhelming for children to read. Lida and the other girls endure and try to support each other. Lida gives a Jewish girl her crucifix necklace to help hide her identity, and an older girl advises Lida to lie about her age so she isn't killed immediately for being too young to work. The German seamstress Lida works with (an employee, not a prisoner) is occasionally casually kind to her, but also gets a gift of looted clothing from a probably murdered French woman, and gets Lida to meticulously remove the woman's stitched-in initials and re-sew them with her own. A Hungarian political prisoner, who gets better soup than the Ukrainians, advises Lida to say she's Polish, as that will improve her her food. Later, Lida muses, It seemed that just as there were different soups, there were different ways of being killed, depending on your nationality.

( Read more... )

The book is interesting as a depiction of an aspect of WWII that isn't written about much, a compelling read, and a moving story about some people trying to keep hope and caring - and rebellion - alive when others are being as bad as humans can get. It's part of a trio of books involving overlapping characters, but stands completely on its own.

The afterword says that Skrypuch based the book on her interviews with a survivor.

sholio

I haven't rewatched more B5, but I was watching various early episodes earlier this week for vid clipping purposes, and I'm still thinking about that.

( Full series spoilers, mostly Londo related )

osprey_archer

In the process of exploring Barbara Cooney’s oeuvre, I discovered that not one but TWO picture book biographies of Cooney were published in 2024: Angela Burke Kunkel’s World More Beautiful: The Life and Art of Barbara Cooney and Sarah Mackenzie’s Because Barbara: Barbara Cooney Paints Her World.

The title of World More Beautiful comes from Barbara Cooney’s Miss Rumphius, in which the main character resolves to see faraway places and make the world more beautiful. The text draws inspiration from Cooney’s own voice, the sort of chanting cadence which you find not only the books she wrote but also in some books she only illustrated, like The Ox-Cart Man and Roxaboxen, whose “amethyst and sea-green” is echoed here in loving color lists: “sapphire and cerulean, azure and ultramarine.”

Becca Stadtlander’s gouache illustrations also echo Cooney’s style, particularly the breath-taking final illustration of Barbara Cooney standing a field of lupines gazing out at the water in her beloved Maine. A gentle and loving tribute to a beloved artist and author.

Then I went on to Sarah Mackenzie’s Because Barbara: Barbara Cooney Paints Her World, illustrated by Eileen Ryan Ewen, who went the opposite approach of making her illustrations not at all like Barbara Cooney’s even when illustrated some of Cooney’s favorite subjects, like lupines and the Maine coast. As I adore Cooney’s illustrations, this was a bit of a letdown at first, but upon reread it grew on me: I like all the little details Ewen wove in, cats and spilled glasses of juice and leaves blowing in the wind alongside ideas.

Also enchanted to discover from this book that Barbara Cooney was “a picnicker of the first water.” Who among us would NOT want to be remembered as such? I really need to raise my picnicking game.

sholio

Okay, I found someone on Reddit who went through all the script books and typed up a summary of ALL the different Babylon 5 plans/plot/changes, and ... I can't believe I'm saying this, but if this is accurate, it sounds like the almost-cancellation/having to compress most of the plot into season 4 actually may have been an improvement over the original.

(It also sounds like JMS was constantly changing major details / long-term plans on the fly throughout all the seasons, which makes the cohesion of the final version even more impressive, even without taking into account all of the network meddling and cast changes! One reason why I've been going down a rabbit hole on this is because I really do think this is one of the most impressive creative feats I've ever seen pulled off, I want to understand it from a creative perspective myself, and the more I find out about it, the more impressed I am.)

( Link and details under the cut )

sholio

It is really interesting how my interest in visual media has spun up again over the last six months or so. It's not that I physically couldn't watch for a while, it's just that over the last couple of years, say since 2022 or so, I wasn't really interested. I would have said it was just because I was happy with the stories in my head and didn't need more stories, but I was also completely uninterested in watching vids and similar, and now suddenly that switch has flipped the other way and I'm back to finding them fun and fascinating to watch, even for source canons I barely know.

(For me and vids, I'd say song choice is *the* big driver of whether I'll watch a vid or not - I'll nope out in seconds if I don't like the song, but I'll watch one even for a source canon I've never seen if it's a song I like.)

Anyway, in a shocking twist, last night I finally got around to subscribing the things I need to subscribe to in order to get vidding source for Babylon 5.

I capture vid source like no one else I've ever met (though maybe people who do this just don't talk about it) - I screencapture from the video window playing on my computer screen. I can do it other ways, and in fact have done it a number of other ways (from ripping DVDs to ripping DRM'd MP4s - I did all my Agent Carter vids that way; it does look very crisp and beautiful - to simply using the *cough ahem* broadcast downloads back on the 2000s; a lot of people did that for vidding back in the SGA/White Collar era, although it meant dealing with watermarks on the video). But I keep coming back to capturing video from screen because it's just so easy. I can get exactly the clip I want and only the clip I want without any extra trimming work, it's easy to skip around, and it means not having to rip and store a kabillionty episodes for a long source canon.

This stopped working for a while because of software measures to prevent it, but I figured out a relatively easy workaround for vidding MASH (disabling graphics acceleration in Chrome) and now I'm doing that for B5 as well - I just need a relatively clean streaming source without commercials. I was genuinely really amazed at how crisp MASH turned out for the vids I made for Festivids. The obvious downside to screencapturing video is that the quality can suffer, and there's also the possibility of the playback stuttering - I used to have this happen occasionally when I tried to capture too much video at once on older computers (circa 2006 or so), where it would drop frames when I'd save it if it was too much for the memory buffer to handle. These days, modern computers can handle quite a lot of video at a time (I do it in Quicktime, I think it's saving directly to the hard drive as I go, whereas before it was definitely doing some kind of intermediate working-memory storage) ... buuuut capturing from streaming is limited by the streaming source, and those often stutter or glitch. It has been hard to get good video quality in B5, not really helped by the source itself being kind of potato-quality to begin with.

And as if that wasn't enough, Final Cut really struggles with the concept of 4:3 video that's not absolutely tiny. All of its large video presets are widescreen, but even forcing it to 4:3, it'll still make it widescreen in export - blah. The biggest that I can get it to make a 4:3 vid isn't very big. So it doesn't really matter that my source video isn't that high quality because it's potatoing it on export anyway! Final Cut, why are you like this.

THAT being said, the main reason I don't call myself a serious vidder is because I just sort of ... don't care? I'm not overly fussed about image quality and frame rate and codecs. I am DELIGHTED that it's no longer necessary to fuss around with codecs for the most part, now that everything seems to have standardized on MP4s and uploading to streaming sites. A ton of the vids I've downloaded and rewatch over and over are snagged from Youtube or are ancient WMVs from the era of making vids as small as possible for download, or are someone's first vidding efforts - and I *love* them. I appreciate crisp clean large video as much as the next person, but I mostly just want a fun viewing experience, and when I'm making vids, I simply like making them for myself and I'm happy if other people like them too. I'll work harder to get it looking nice if it's an actual gift for someone, but for the ones I make for myself ... eh. It's a lot like my approach to fanfic as a creator - I do care about craft to an extent, but mostly, I don't care if it's great, I just want to feel things.

(So the long and the short of it is that I'm making Babylon 5 vids now. Yay!)

sholio

I know there are a few people around here currently or formerly in Guardian fandom, and

whumpex is trying to fill some last-minute pinch hits that include one for Guardian - in case that sounds like your thing!

Find them here:
https://whumpex.dreamwidth.org/5724.html

I also posted some Murderbot + Gurathin recs over at

recthething.

sholio

I wrote this for

fan_flashworks "Underwater" challenge back in early May and finally got around to editing it (the first version was pretty rough; this has been cleaned up a lot, tweaked for word choice and clarity).

One thing rolling around in the back of my head when I wrote this is something I've noticed reading fic for this show - there's not really a lot of typical tropey h/c for these characters. It's understandable, because canon is so tightly plotted, and so much of the fic is just fixing and/or dealing with their various canon disasters and tragedies. But sometimes you just want to put someone into a classic h/c situation and make them deal with it, you know?

The Drowning Deep (5500 words, gen)
Takes place between 5x09 and 5x10. An attempt on Londo's life in the palace gardens.
Also posted on AO3.

( The Drowning Deep )

telophase

Sorry for no other real update but I have just been "bleh" at the thought of sitting down and typing when I have other things to do. Oops.

ANYWAY. I did seven pictures for the May the 4th Star Wars fanworks exchange! And I received 3 stories!

( WHAT I GOT: )

The seven pictures I did, in no particular order:

Stolen Moment (0 words) by Irusu
Chapters: 1/1
Fandom: Star Wars: Jedi: Fallen Order Series (Video Games), Star Wars - All Media Types
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Cal Kestis/Merrin the Nightsister
Characters: Cal Kestis, Merrin the Nightsister (Star Wars)
Additional Tags: Fanart
Summary:

It will have to be enough

Irresistable Force Meets a Movable Object (0 words) by Irusu
Chapters: 1/1
Fandom: Star Wars - All Media Types, Star Wars: Obi-Wan Kenobi (TV)
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Obi-Wan Kenobi & Leia Organa
Characters: Obi-Wan Kenobi, Leia Organa
Additional Tags: Fanart
Summary:

I know that feel, Obi-Wan.

Target Practice (0 words) by Irusu
Chapters: 1/1
Fandom: Star Wars - All Media Types, Star Wars: The Bad Batch (Cartoon)
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: CT-9904 | Crosshair & Omega (Star Wars: The Bad Batch)
Characters: CT-9904 | Crosshair, Omega (Star Wars: The Bad Batch)
Additional Tags: Fanart, Treat
Summary:

A little practice never hurt anyone. Well maybe not *anyone*...

Guardian (0 words) by Irusu
Chapters: 1/1
Fandom: Star Wars - All Media Types, Star Wars: The Clone Wars (2008) - All Media Types
Rating: General Audiences
Warnings: No Archive Warnings Apply
Characters: Jocasta Nu
Additional Tags: Fanart
Summary:

She would guard it with her life...and did.

Formal Portrait (0 words) by Irusu
Chapters: 1/1
Fandom: Star Wars - All Media Types, Star Wars Original Trilogy
Rating: General Audiences
Warnings: No Archive Warnings Apply
Characters: Leia Organa
Additional Tags: Fanart
Summary:

What would young Leia choose for her first senatorial portrait?

A Fistful of Credits (0 words) by Irusu
Chapters: 1/1
Fandom: Star Wars - All Media Types
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Original Character & Original Character
Characters: Original Sith, Original Jedi
Additional Tags: love them western vibes, Space Cowboys - Freeform, Fanart, Treat
Summary:

It's the first holodrama of its kind! It won't be the last!

Dark Seduction (39 words) by Irusu
Chapters: 1/1
Fandom: Star Wars - All Media Types, Star Wars Legends - All Media Types
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: Corran Horn/Exar Kun
Characters: Corran Horn, Exar Kun
Additional Tags: Fanart
Summary:

Prompt: "That scene where he appears to Corran at night but sexy"

rachelmanija

In a magical version of the medieval Middle East, a middle-aged single mom, who was once the notorious pirate Amina al-Sirafi, is dragged out of retirement for one final job.

This book is a complete and utter delight from start to finish. It has all the pirate tropes you could possibly want - sea battles! sea monsters! quests for magical objects! loyal crews! tossed overboard! marooned! - and sly twists on others. It's got great characters. It's got hilarious dialogue and character interactions. The world is wonderfully detailed and varied, full of plausible historical details and with a lovely faux-historical feel. There are stories within stories. It's all marvelous.

As a child, I had a book called Muslim Saints and Mystics, which was a translation of parts of the Tazkirat al-Awliyā, a collection of stories about Muslim saints written around 1200. It was funny and magical, and some of the stories-within-stories in Amina al-Sirafi have a similar feel. The novel neatly toes the line between dialogue that feels fairly contemporary and a plausibly historical mindset. Amina is horny as hell, but a serious Muslim who believes in not having sex before marriage; as a result, she's had five husbands. There's a major trans character, in addition to several gay characters; Amina has come across people before who prefer to live as the other sex, and takes it in stride without resorting to Tumblr-esque labels or attitudes.

I loved every moment of this book, and was delighted that though it has a reasonable ending, it is the start of a trilogy. It's the first book I've read by Chakraborty, and I'm excited to read her City of Brass series.

( Read more... )

osprey_archer

Recently

littlerhymes reviewed Asako Yuzuki’s Butter, “a novel of food and murder,” to quote the cover. “Food AND murder?” I said. “Two of my favorite things in one book?” AND the book was translated by Polly Barton, who translated Aoko Matsuda’s Where the Wild Ladies Are, which absolutely clinched the deal.

This book is fantastic. It is a novel of food and murder, but also about the impossible demands of femininity, fat-shaming, the extent to which it is possible to be responsible for another person, the difficulty of truly embracing your own desires (starting with the surprisingly difficult task of figuring out what you even want), the brutal hours demanded by Japanese companies, the meaning of friendship, and also what the heck is UP with Manako Kajii.

Manako Kajii is in prison, convicted of murdering three men. The evidence is entirely circumstantial: she was dating all three men, having met them through a website for people looking for marriage, except instead of marrying them she got them to give her loads of cash in exchange for gourmet meals and, one presumes, sex. Unfortunately for her, three of her boyfriends died in quick succession, and although there’s no evidence she pushed one off the railway platform or snuck the other that lethal overdose of sleeping pills, people are so mad about her lifestyle that she’s convicted of the murders anyway.

They’re especially mad because Kajii managed all this while being (by Japanese standards) FAT. The siren who lured three men to their deaths is not even pretty. This terrifies everyone: men because they shudder over the humiliation of potentially being murdered by a girl who is not even a perfect 10, and women because this only strengthens their belief that what men really want is not an equal partner but a mommy-wife who feeds them, cleans up after them, and coos over their boring rants about work.

Although the book may sound like a murder mystery from the summary, it’s notably uninteresting in actual evidence about Kajii’s supposed killings. The details I mentioned above we learn almost incidentally, and our heroine Rika, a magazine reporter working on a profile of Kajii, makes no attempt to follow them up. Her interest is in the mystery of Kajii herself: what makes her tick?

In trying to figure out Kajii, Rika reads Kajii’s food blog (a lush wonderland of luxury brands and fancy restaurants), interviews Kajii, begins to learn to cook herself, falls in love with food and flavor and maybe also a little bit with Kajii, or at least what Kajii represents to her, which is the willingness to embrace one’s own desires, whether that means eating what one wants to eat or (in Kajii’s case) giving up on “employment” to be supported as essentially the mistress of a variety of rich old men.

The problem, as Rika repeatedly discovers, is that like Kajii’s old men, what Rika sees in Kajii is what she’s projecting onto Kajii. They saw her as a sweet traditional girl who just wants to please men; Rika sees her as an avatar of chasing your own desires, even if those desires are socially disruptive. Kajii herself is both those things, as well as an outspoken misogynist who longs for a daughter, a daddy’s girl who never went back to her hometown after she left at eighteen, a walking contradiction who revels in manipulation but also, perhaps, longs for the connection that has thus far eluded her.

Or maybe not. Maybe Rika is projecting that longing for connection onto a basically heartless sociopath. Yuzuki maintains all these tensions, juggling all these different facets of Kajii without ever simplifying her to one single Kajii.

This is a very Kajii-centric review, because it was Kajii who most blew me away, but I also loved Rika and her friendship with Reiko, both for their own sake and because they allow Yuzuki to develop her themes about societal expectations about femininity in so many directions that the theme becomes almost fractal. Here is a writer who has a lot to say and is saying all of it at the same time in a way that’s so engrossing that I barely resisted the desire to take a sick day just to keep reading.

And she does it all AND includes some great food descriptions, too. I was so carried away by her enthusiasm that I actually tried Kajii’s recipe for rice with butter. It didn’t have the same transformative effect on me that it had on Rika, but maybe if I used the very fancy butter that Kajii recommended…

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calandrahunter

June 2025

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osprey_archer - Book Review: Midwinter Nightingale
osprey_archer - Adventures in DVDs
sholio - Babylon 5 fanfic: One Safe Harbor
sholio - Babylon 5: In the Beginning (the rest of it)
rachelmanija - The Only Light Left Burning, by Erik J. Brown: DNF
osprey_archer - Book Review: A Legacy of Spies
sholio - Biggles fic: Old Words
telophase - Because I am waiting for inspiration to strike
osprey_archer - Wednesday Reading Meme
osprey_archer - Into the Archives
rachelmanija - Making Bombs For Hitler, by Marsha Forchuk Skrypuch
sholio - Some more scattered Babylon 5 thoughts
osprey_archer - Picture Book Monday: World More Beautiful and Because Barbara
sholio - Even more of the original Babylon 5 plan
sholio - It's June! And I'm vidding again!
sholio - Other random fandom things
sholio - Babylon 5 fanfic: The Drowning Deep
telophase - May the 4th art dump
rachelmanija - The Adventures of Amina al-Sirafi, by Shannon Chakraborty
osprey_archer - Book Review: Butter

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